It’s always enthralling to view the depth of images that people have conjured up. From the standard point and shoot, to the tricksy, to the stunning which includes the deserving Ice Spikes.
I love the “Field of red”, which so captures a specific and particular view of the English countryside. I’m in awe of “Storm Opelia” and the truly dramatic “Milky Way” which somehow manages to capture the essence of St Michael’s Mount which has almost reversed and became the backdrop for the revealing night sky.
Probably of all of them I prefer the “Eye of the Tower”. It’s a curious and alternative view on something that has probably been photo-processed many times. Something you would normally expect to look up at, and Ascend is transformed and appears you are looking down on this enormous bell. I love the hard-edged brickwork and strong vibrant colours and textures. While the image is still, somehow there seems to be movement and power captured there.
The short list is full of fascinating images, from the “Cemetery of 21st Century” (don’t worry it’s not an actual cemetery.) which is eerie and evocative, almost Chernobyl-like, but it hardly seems to qualify as an actual building.
The “Bicycle Rider” is so stark and lifeless it looks more like an artist’s illustration or a page from a graphic novel rather than a photograph. Reminds me a bit of David Hockney’s work such as “A Bigger Splash” with its flat child-like colours.
The “Cross Bridge Waltz” shot from the air is mesmerising and joyful, almost a photographic version of naive art.
So your chance to vote is available until the 8th of January 2018, and of course you can always think about entering next year. You can see previous winners and my view on last year’s.
If you’ve read this far why not add a comment and tell which one is your favourite and why.
So this is just a follow-up to Landscapes where I mentioned we had artwork that resembled the photographic image of Josh Cooper’s “Meandering Mawddach”, (Gwynedd, NW Wales).
Our artwork is an etching by Pauline Meade, “Torridon Hills” with similar light, and striking monochrome features:
Of course this might have been far more impressive artwork if I could have captured a good image. Our picture had been professionally framed, and I thought they used non-reflective glass but it seems it isn’t. So I spent a happy (sic) few minutes walking around the house trying to find somewhere to take a clean image, without glare and reflections (TIP: Not outside in the sunshine). This is my best attempt, apologies to everyone. Ironic really, given that it was a photographic competition that generated the original article!
The winners have been announced in the Landscape Photographer of the year competition. It is always fascinating to view these photographs, partly to see who won what, and partly to get a glimpse of any trends or styles that are currently in fashion. There are a number of awards, although the overall winner is Benjamin Graham’s unusual Diminutive Dune, (West Wittering, West Sussex, England).
I like Graham Niven’s “Dawn patrol” (Loch Garten, Cairngorms, Scotland), although I think if I was the photographer I would have actually slid my own feet back, so that they were out of shot! Or maybe he spent hours to photo-shop them in!
One particular image captured my imagination, Josh Cooper’s “Meandering Mawddach”, (Gwynedd, NW Wales). We have an etching by Pauline Meade, “Torridon Hills” with similar light, and striking monochrome features, which it resembles. It is the kind of image that you see more, the more you look, and rewards repeated viewings.
David Hopley’s “Encompassed”,
This image is fascinating, as is David Hopley’s picture entitled “Encompassed”, Rounded photographed in Colton, Tadcaster, North Yorkshire, England. BTW “Taddy” has some good breweries so well worth a visit!What I especially like about this image is that it is so iconic, being well-constructed without being too smart or clever. It literally feels as though he has pulled the camera and taken a snap rather than spent endless hours constructing the image.
The youth section photographs are quite stunning and all these images of the British countryside are going on display. So if you’re around you can see the exhibition being held on display at London Waterloo station, from 20th November 2017 – 4th February 2018. It would be interesting to see the actual images themselves and see how they compare to viewing digitally online.
And if you’re a keen photographer yourself, you can enter next year. Just don’t take pictures of sand dunes by the sea, that’s not going to work again!
Somehow one thinks of solitude as being a state that one consents to enter into. The quiet time for reflection, or the need to be alone for some introspection. But sometimes life just throws itself around you and you find yourself in a situation that would be so much better if you were not alone or in Solitude.
Just a note for sensitive souls: Other paddlers did help out and all was well.
Murphy House, named after Richard Murphy, the architect and home-creater and owner, won the RIBA house of the year award this year.
Love it or loathe it, a least it’s a fascinating design, and looks like some sort of house. Other shortlisted ones included the ubiquitous endless glass panels of the Outhouse. Oh come on, give in with the sliding glass doors; and for goodness sake at least try and make it resemble a private dwelling rather than a trendy office block with lifestyle fixtures!
Meanwhile the CIOB are showcasing some fabulous photographs in their “Art of Building” competition. I know with Instagram and endless image banks there are already plenty of striking images, but trust me, these are striking images worth looking at. Plus unlike RIBA it’s a public vote so you can have an input into this year’s winner. But only if you’re quick, before 23rd January 2017. And if you’re not quick, you can look at next years!
My favourite? The art deco of “Control”, by Roman Robroek, from Hungary.
The competition attracts fabulous talent, so is a great opportunity for any budding photographers out there.